There was also a delay track (Waves H-delay) which I used to try and replicate track 15 (not used), I also brought the effect in here and there later in the song (but not as prominent as the 1st time). Used the EQ and compressor to balance each track as I felt right.ĭuplicated track and used two different amp sims to hopefully create a rich, creamy sort of sound (not sure if that worked ) Just about all tracks had a Neve 80 Series Console strip on (Lindell 80 from Plugin Alliance). Will keep looking into though as still not perfectĪnyway how I approached bringing the tracks in and grouping them was originally based on the track description provided by Endicott Dread.īelow is an overview of what I tried to achieve.hopefully some of it worked. It did however make me research tweaking my DAW (Reaper) a lot more, and I eventually worked some settings out which did improved the responsiveness. Had to freeze so many tracks (which I never normally do).
Recently been enjoying playing around with audio again, but my recently built "super PC" really did struggle. I have to say been a longtime since I had so many tracks to play with, not a pro at this and I only got into mixing when I was in a band many many years ago and studio time cost a fortune. Thanks to Endicott Dread for providing the song and Mr Fox for hosting this contest/game Master bus: colorization things added here: Acustica Audio's Lime Pre and from There is some volume automation taking place in almost every track. Synths/Keyboards: Electric pianos got some phaser and vibrato, sending a bit to the small plateīass: probably the most processed one - the most volume automations, UAD 1176 comp/limiter, Decapitator, Guitars: EQ, Couple tracks sending to small plate, the whole guitars group has Acustica Audio PINK pre, Rooms and OH some Cubase stock compressor and EQ.Īll drums group having Slate VCC mixbus, EQ, Acustica Audio Sand3 comp and Waves Kramer Tape. Tracks here has send fx to the small plate reverb.ĭrums: The snare & kick got SoundToys Decapitator, EQ and a little Waves L1 limiter. Lead vocals: EQ, TubeTech CL1B mkII compressor, small room and big plate reverbīackgr vocals: EQ, some multiband compression, UAD 1176 revA limiter. There are 2 types of plate reverb (UVI plate) I decided to use. To achieve different moods for different parts here are some noteworthy The tracks are very good, the song seemed almost like finished by setting
0 kommentar(er)
